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The European Renaissance 1400-1600, by Robin Kirkpatrick
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With Italy at its centre, but encompassing the whole of Renaissance Europe, this evocative history challenges some of the popularly-held views on the Renaissance period. In particular, whilst always acknowledging the brilliance and exhuberance of Renaissance culture, Robin Kirkpatrick draws equal attention to the strangeness and often unresolved tensions that lay beneath the surface of that culture.Insisting on a European rather than purely Italian viewpoint, he embraces Renaissance thinking and culture in all its diversity: from Northern thinkers such as Cusanus, Luther and Calvin, to the painting of Van der Weyden and El Greco, and the music of the Flemish musicians, Josquin des Prez and Orlando Lassus. Special attention is also paid to the unique contribution made by Margueritte of Navarre to the development of humanist culture. The book concludes with a study of Shakespeare in which his plays are viewed as a searching critique of some of the main principles of Renaissance culture.
- Sales Rank: #823926 in Books
- Brand: Routledge
- Published on: 2001-11-01
- Ingredients: Example Ingredients
- Original language: English
- Number of items: 1
- Dimensions: 8.80" h x .90" w x 6.80" l, 1.52 pounds
- Binding: Paperback
- 432 pages
- Used Book in Good Condition
From the Back Cover
When and where did the Renaissance begin, and what were the most notable features of thought, art and culture in the period of European History from 1400 to 1600? In responding to these questions this compelling book is unique in adopting a European view-point. It argues that while Italian and particularly Florentine achievements provided a great stimulus to cultural renewal in the early 1400s, the Renaissance may more profitably be considered as a European phenomenon, drawing upon energies that by 1400 had been gathering throughout Europe at large for at least two hundred years. Kirkpatrick's fascinating book provides a comprehensive (and sometimes controversial) survey of the thought, literature and art of the period (including the often neglected music). It insists that the Renaissance is best understood by a close attention to the many specific examples and artefacts that are analysed in this lavishly illustrated volume.
About the Author
Robin Kirkpatrick is a fellow of Robinson College and Head of the Department of Italian, University of Cambridge.
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